Category: Music

Getting closest to Nusrat – Rahat live

Today, finally i got the chance to watch Rahat Fateh Ali Khan live in concert. As we haven’t seen Nusrat singing live so to watch Rahat perform is the closest we can get to watching Nusrat live. And yes that is true as well. No surprises here, Rahat is hugely talented.

Lets first talk about the good stuff. He stared with man kunto maula and did it brialliantly. After that came 2 bollywood movie songs he has done, no wonder he did it awesomely but that was not the stuff we were interested in. Then came the real gem dillagi…Nusrat’s version is of 17 mins. It was not that long but again brilliantly did. Next was yeh jo halka halka saroor hai…& it was a mind blowing performance clearly showing what a great teacher Nusrat was and how beautifully Rahat has been trained under him. Again a long spell of bollywood stuff and then sanu ik pal chain na aave & akhian udeekdiyan. He was about to end it with dam mast qalandar but somebody requestesd to sing tere mast mast do nain (from movie Dabbang). He amazingly sung tere mast mast do nain; not really in a movie song style but at really high pitch. Amazing…amazing performance. And the ending beauty was evergreen dam mast qalandar mast mast that got everyone to clapping with the song. For me personally, the bollywood stuff was the absolute crap, firstly in a sense that that is not what Rahat’s real talent is and secondly it disturbed the flow. When he sang dillagi & halka halka saroor it was magic all around but it got disturbed with that x y z stuff from bollywood.

Really, Rahat has got a huge talent. While singing for more than 2 hours not a single time his voice went out of sur or pitch went low. To give such a performance one needs to have some potential which was clearly visible. Due to the kind of idiotic Indian crowd that comes to attend such shows, they are expected to sing such bollywood numbers and for the same they need to keep drums and other things in orchestra. Otherwise from a qawali point of view, mouth organ & another instrument (probably keyboard) were sounding too loud. There probably was some issue with the sound setup as well. Also clapping sound was not audible and harmonium & tabla were also lost in the drums sound. The whole orchestra was being driven by the mouth organ not by harmonium. Despite of all this, it was an awesome, amazing performance by Rahat and i would love to watch him again & again; best probably at some place where he would sing only qawalis.

Now coming to all the bullshit that happens in India. As expected the arrangement was pathetic. They divided it into 3 sections. First was some VVVVVIP shit, second one for the people who had 2000 Rs tickets and third for the people carrying 1500 Rs tickets. And oh yes there was one ticket for Rs 1000 also and i think those people were standing at the end. The 2000 Rs ticket section was just 20-30% full and people from the 3rd section were trying to enter there but being stopped by security. Finally the revolution erupted, people jumped (man aunties also 😀 ) over the fencing and everybody was sitting in the 2nd section leaving the 3rd one empty.

About the people, as usual they just go there because they can afford to go. One thing i don’t understand is that while going to such an event cant they dump their kids at home ? And oh yes is it for the first time in their life that they get to see ice cream, coke, spring rolls etc over there ? Why the heck they cant take care of their tummies before coming to such shows ? Then every alternate person was getting up and fetching coke ++ stuff for their family of dozen plus items etc etc.

Despite all this, it was an amazing experience to watch Rahat perform live. Wish to see many more such concerts !!!

Show stop ! ‘ers and spoil ! ‘ers

Most of the Indians go to see live concerts because:

  • They are the people with approach and can manage to get free VIP passes and all.
  • They are from rich section of the society and can manage to buy tickets (if any).
  • Attending live concerts is a feel good thing and a bit of fun.

The real fans of artists are generally sitting in last rows, or even worse; standing. The folks sitting in VVIP and VIP sections are the the output of above 3 points. Anyways yesterday night there was a live concert of Ghulam Ali and me and 2 of my friends were ready to enjoy and had high hopes. So we got the tickets well in advance to avoid any “not available” etc etc situation. The time printed on the ticket was of 7 PM and 2 other singers were supposed to perform before Ghulam Ali. So we reached the venue around 6:15 to find that they had just started to setup the stage and other stuff. Nothing much strange as India runs like that only. Finally after 8 PM they started entering people and we got good seats. Weather was being tricky and a rainfall was a sure thing to happen. Finally things started moving a bit and it started drizzling as well. They introduced some local signer on stage and he left after singing 1 song. Then came the two expected ones; a man and a lady and till then it was no more drizzling; it was raining. Things continued but people were waiting for Ghulam Ali only.

Then after 9:30 Ghulam Ali came (rain had stopped by then) and was seated in the first row with some chief guests and that guy and the lady were still singing.  Now  those guys were not supposed to waste any time but he still continued. Many people had even left till this moment. Ghulam Ali took the control of stage around 9:45. It has been just half an hour or little more that  police came to get it closed due to 10:30 PM limit. Somehow somebody talked to them and the matter was sorted out but probably for some time only. After sometime a policeman came in front of the stage, raised his hands and asked them to stop ! Man just imagine, an artist of the stature of Ghulam Ali singing on stage and a policeman, in this way, telling him to stop; what a crying shame !!! What the heck the organizers were doing at that time ? Anyways Ghulam Ali did acknowledge him and said “shayad woh keh rahe hain k hum yeh band kar dein…bas 2 min mein kar dete hain….” Ghulam Ali said the final words and started to leave.

Then the stage was taken over by the host. He got pretty emotional and said that some xyz of Delhi is sitting here (some counselor or something was sitting there in guests). The night clubs can run up to 4 AM. There is not an issue with that but a ghazal mehfil cant continue after 10:30 PM. Then some action was taken and permission was given for another half an hour or so. Then Ghulam Ali started again but the taste has been lost till then. So things were just not that good.

And about the ambiance and other things there i just don’t understand what the heck is the need for people to bring their 0-14 yrs kids along. And then eating chips, sipping soft drinks…ghazal mehfils are for that ? On stage on guy is going up, another coming down etc etc. One sick idiot was standing in front of the stage and shooting with his video camera, Ghulam Ali requested him twice to stop but everything fell on deaf ears. Then two security guards came and literally pushed him away. Still he was not ready to move. Enough of  crap…

Lets talk about the whatever little Ghulam Ali saab sang…well he started with Ghalib’s har ek baat pe kehte ho with an opening sher from ishq mujhko nahi vahashat hi sahi……then came Faraz saab’s hui hai shaam to aankhon mein bas gaya hai fir tu followed by dil mein ik lehar si uthi hai abhi; amazingly done. Every time the word leher being presented with different sur taal and style. Pure magic ! After that pehli wari aj uhna akhian ne takkia. And then in hurry few others like awargi and hum tere shahar mein aaye hain.

At the end it was a magical show spoiled by few idiots ! We came back so sad and disappointed. An oppurtunity to watch such a great artist lost 🙁

And for the friends who would like to know what what according to me a ghazal mehfil should be like, please watch these videos. This is what magic a ghazal mehfil can create.

OMG…

I was browsing through The Times of India website and came across a link to a video of a performance by Abida Parveen at a recent Aman ki Asha concert. I had already seen this video many times but this time more than the video, a comment caught my attention. Quoting here the same:

Roopa, bangalore, says: OMG what a horrible singer with horrible voice.. Somebody without training could sing better then her….

Nothing much to say. vichari poor soul…she doesn’t even know what she is talking about. God bless her that she, sometime in future understands what Abida Parveen means to music and its lovers across the globe.

PTC Punjabi music awards 2009

har saal ETC Punjabi duara karwaye jaan wale music awards, es wari PTC wallo karwaye gaye. har waar di taran ohi khaamian, kamian dekhan nu milian. sab ton changi gal jo es function wich hai k punjabi sangeet te filam jagat de sab wadde chote bande ik jagah te kathe hunde ne, fer kuch k nu sanmanit b kita janda (sahi sahi ja galat, eh ik alag swaal hai) . sirf ehna gallan karke hi eh program bahut keemat rakhda hai. gal karde a program de change maade baare. sab ton pehli gal shuraat koi bahuti changi ni c. pichli waar puraane gaanian ton lai k nave gaanian tak jaan da jihda sequence dikhaya gia bahut sohna fabbia c par es wari oh gal nazar hi nahi aai. kuch ese tarah da hi keeta janda te wadia lagna c. es wari fer galat anchor chose kite gaye. na tan shekhar suman changi taran punjabi bol sakda te na archana puran singh. masla sirf punjabi bolan tak da nahi hai, host nu punjabi music baare kuch pata b hona chahida tan ke oh program nu kuch hor sohappan de sake. gal life time achievement awards di tan Iddu Sharif, Sarabjit & Malkit nu sanmaanit karna wadia gal c. eddan de kalakaaran da sanmaan karna sada farz hai. wich wich jihdian faaltu diyan performances dikhaiyan gaiyan oh bilkul  hi bakwas c. Yaana Gupta, Bombay Vikings te hindi gaanian de ki matlab hai ? sirf ese wajah karke program enne late tak chalda rehnda (main 1 waje tak dekhia te hale chal riha c).

ik hor gal jihdi har waar dekhan nu mili hai oh hai kalkaaran da wiwhaar stage te. es wari b bahuti janta ne peeti hoi c ya koi nasha kita hoya c jive Aman Hayer ton chaz naal bolia b nahi ja riha c.  mere hisaab naal uthe sharab wagaira de sewan karan de aagia nahi honi chahidi te khulle pandaal di wajaye sada kursian laa ke program kita jana chahiad ta ke es cheez nu kuch hadd tak rokia ja sake. Jazzy B jado Miss Pooja to award lain gia te jis tone ch uhne Miss Pooja nu bolia oh edda sharam naak c “jihdi naal khadi a oh b ni maadi…..aj tan lagda..fullan aala soot sava e diye (mere hisaab naal ehi kiha c…je koi galti hove tan jaroor dasio”…eh poora poora bad-tameezi te faaltu de aakad dikhaun aala kam c te jazzy warge purane singer duara keeta jaana es nu hor b sharamnaak banaunda hai. wase baki kalakaar b apne wadh to wadh member lai k stage te a rahe c te faaltu de jaikare shaddan wali gal b haasoheeni hai. rahi gal categories di oh kuch zyada e banaiyan hundian ne te  jihna bandian nu milna chahida uhna nu hi milda ja nahi, ik wakhra swaal hai…so kull milla ke program truttian bharia c. bas ikko gal jo main pehla b kahi, eh punjabi hunar nu sanmaanit karan lai c te enne saare punjabi ik shat thalle ikathe hoye c…es lai bahut shalaagajog hai…par lod hai es da myaar bahut zyada hadd tak sudharan di…

ve gal sun challia…

Challa apne Punjab de folk music di ik nishani hai…bhawein oh Inayat Ali ne gaya hove ya Shaukat Ali ne te bhave Reshma ga rahi hove ya Gurdas Maan…challe di tone jhatt pachani jandi hai…bada time pehlan Gurdas Maan de yahoo group te sade ik member ne challe di translation cum explanation post kiti c. oh hu bu hu main ethe post kar riha. eh ik post di taran b nahi likhia hoya bas rough jehi explanation hai:

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This song is basically addressing to the Challa or a ring given by her beloved… Kyoki ashqi vich challe te mundri di boht value hai…  As guy give Challa to his gal and get mundri from her in return, to convey their love for each other.
Hun oss kudi da mahi door baitha hai.. O ikalli kiss nal gallan kare.. Es karke mahi de ditte hoye challe naal hee o gallan kardi hai te aapne dukh dasdi hai.

1) ho jaavo ni koi mor liyavo,
ni mere naal gaya ajj lad ke,
oh allah kare jeh aa jaave sohna,
devan jaan kadma vich dhar ke.

I think this para is very clear to all, nothing to explain in it.

2) ho challa beri oye buhe, ve vatan mahi da door e,
ve jaana pehle poor e, ve gall sun challeya chora,
ve kahda laya ee jhora.

Jo beri saade buhe(darwaze/wehre vich) te lagi hai uss utte boor pya hai- (boor da matlab hai ki beri nu phull lagg gaye ne te kuch hee din baad iss utte phall (fruit) va lagg jayega.), par maahi da vatan ta door hai. Te hun jaddo ess beri te season da pehla phall laggega odo mein ohnu millan jaana. While addressing to the ring the girl is refering to her beloved, says ve dil deya chora (theif) meri jaan nu kyo jhora (dukh) laya hai?

3) ho challa khooh te dhariye, challa khooh te dhariye
ve gallan mooh te kariye,
ve sacche rabb ton dariye, ve gall sun challeya dhola,
ve rabb ton kahda ee ohla.

As this is a song, so to give it a rhythem the line ‘challa khooh te dhariye’ is used. Ehda matlab te sabb nu saaf hee hai ki put the ring at well. Par es da ikk hor matlab v ho sakda hai, jiven pehle jamaane vich kudian sirf pind de khooh takk hee jaandia sann, te khooh te jaana hee sirf ohna di outing ho jaandi c. Es karke kudi keh rahi hai ki maahi kade khooh te hee aa ke paani peen de bahaane mill lai. Te jo v gall tu karni yaa kehni hai mill ke kar. Ene dukh meinu naa de oss sachhe rabb to dar, os rabb to kade v kisse da v ohla (parda) nahi reha, matlab ki rabb sabb dekhda hai.

4) ho challa kaaliyan mirchan, ve mauhra pee ke marsaan,
ve sire tere chadsan, ve gall sun challeya dhola,
ve saad ke keeta ee kola.

Mauhra ikk boota (herb) hai, jiss nu ki dhatura v kehnde ne, te es da english name ‘Thornapple’ hai. Eh boht hee zehreela hunda hai, es boote to vee zehar banda hai. Hun kudi keh rahi hai ki v mahi tu meinu boht dukh ditte ne- saad ke keeta ee kola (yours deed have burnt me like a coal). Mein tere dukhan to tangg aa ke, tere naam da zehar pee ke marr jaana hai.

5) ho challa nau nau theve, ve puttar mithde meve,
ve allah sabh nu deve, ve gall sun challeya kanvaan,
ve manvaan thandiyan chaanvan.

Theva is a technique of gracing the ornaments. Hun ethe nau theve kyo keha gya meinu pakka nahi pata, par mere khyaal naal es da matlab hai ki saare Challe utte meenakari hoi hai. Jidda poora shigaarya hoya challa boht sohna lagda hai, eiven hee mavan nu aapne puttar boht pyaare lagde hann. Te mein oss rabb agge ardas kardi haan ki sabb nu rabb puttar deve.

6) ho challa kann diyan dandian, ve saare pind vich bhandian,
ve gallan chajj paa chandian, ve gall sun challeya dhola,
ve saad ke keeta ee kola.

Kann diyan danddian sone da chota jeha gehna hunda hai jo ki koke waang bareek jeha hunda hai , jyada karke kuwaria kudian hee dandian paundia ne, vyahi kudi wadde kaatien(ear ring) paundia ne. Ess pehre vich mutiyaar kehndi hai ki jaddon mein mahi diya dittia hoia danddian paia, taa saare pind vich mera naam khraab keeta gya (bhandian da matlab hai naame khraab karna). Te loka ne saadi gall saare paase udda ditti. (‘Chajj’ is made up of wooden straws and is use to take out the unwanted things from wheat or other cereals. Its english name is ‘winnow’)

7) ho challa gal di ve gani, ve tur gaye dilan de jani
ve meri dukhan di kahani, ve aa ke sunja dhola
ve tethon khada ee ohla

Dil de jaani door chale gaye ne, te mere palle hun dukh hee dukh ne. Ve mahi mere aa ke dukh sun lai, tere kolo kisse v cheez da parda (ohla) nahi hai.

8 ) ho challa paya ee gehne, oye sajan beli na rehne
oye dukh zindri de sehne, ve gal sun challeya dhola
ve kahda pana ee raula

Gehne pa dena matlab hai girvi rakhna (collateral). Is duniya vich sanjan-mitar sada nahi rehne, te zindgi vich dukh takleef aundi hee rehndi hai. Matlab je es duniya vich har ikk neikk naa ikk din khatam ho jaana hai fer faltu de jhagre-ladai kiss gall de?