Posted on December 14, 2011 in Music by Sidhu1 Comment »

I am not a professional writer so this article may keep on jumping around different points. Apologies if you find it boring and not so continuous types ;) . Also this article was meant to undergo some more revisions but lack of time & plenty of laziness didn’t let that happen. So posting it as it is. Special thanks to Samrat Dhillon for reviewing it (in fact, going to the extent of being a co-author) and making it look much better than what I initially drafted.

In the recent times, if there is someone who has actually tasted the juice of (super) success he is Satinder Sartaaj. His albums have been selling like hot cakes, probably leaving the old and experienced singers behind too. But all is not so well. He has been criticized for few things as well. In the opinion of his hard core fans, this criticism is not justified. On the other hand, in the view of the other group, his success is fake, hyped, spoiler and not so permanent.

This article is an attempt to discuss what is so good or bad about his success, career etc. First I will talk about his (kind of) instant success. Before he released his first album, he was quite popular on youtube and people knew about him. So his first album was a huge huge hit and it sold a record number of copies; something that matters a lot in these days of mp3-dominated-market. Now what makes him so hit? There are 2 reasons in my opinion. I will talk about them one by one:

The first reason according to me is the scope of the market. Punjabi music industry, at a broad level can be divided into two categories. One category of this market is really cheap stuff that is being released on the daily basis. Some parts of it become hit and others go unnoticed. Second part of this market is “the” really good stuff from legendary artists like Nusrat, Abida and others. And of course there is an occasional good release from Maans, Hans’s and other good artists. So there is a large vacuum between these two categories. That is where Sartaj comes in. People are fed up of the crap being served to them and it is not everyone’s cup of tea to listen to the legends we talked about. In such a scenario, Sartaj’s so called good lyrics, some decent presentation and everything comes as a pleasant change.

Second reason for his popularity is the attire he has chosen. It is immediately noticeable and looks like the dress worn by Sufis. It is an eye-catcher thing gimmick and people relate it with spirituality and divine lyrics, although his lyrics are far from such qualities.

These two are the reasons in my opinion that make him such a huge hit.

All looks well, so where is the problem?

Well, there are few things that are doing the damage. First thing is he is being called the Waris Shah of 21st century. This comparison is totally, absolutely absurd and idiotic, to say the least. It started from when he played the role of Waris Shah in the serial made by Zee Punjabi. Also, that is from where he has got his dress. He wore similar kind of dress in the serial and retained it when he started performing as a singer. From this whole story, coupled with that he writes his own lyrics people labeled him as the new Waris Shah. The unfortunate thing is that there is large section of his fans that believes in this comparison too. Waris Shah spent his whole life in writing one saga Heer and that was what made him “Waris Shah”. And this comparison, I don’t understand if it makes any sense at all.

Second thing is he has been labeled as (even believed by some) a Sufi singer. This again comes from his dress and his style of singing. There is an argument that he denies being a Sufi singer. He might do but few things related to him don’t support this. He doesn’t say NO when he is labeled as one. His twitter id (assuming it is an official one) is http://twitter.com/#!/SufiSartaaj and Facebook page is http://www.facebook.com/sufisartaaj , which clearly don’t go with the argument that he says no to the Sufi label. In fact, he enjoys this association as it gives him a big advantage and a selling mantra. Now people ask what the problem is if he is being called a Sufi singer. No wonder there are few who actually think that what he sings is indeed Sufi genre. This is indeed a hilarious situation. Adhi kick te start yamah, Billo ji, neendar neeni-badi kameeni; I don’t understand what kind of Sufism is this. In my opinion there is hardly anything that he has sung that matches with what Sufism is all about. This thing actually is doing a lot of damage. His ardent fans are not ready to accept that his genre is no where close to sufi, or his lyrics have nothing to do with sufi “Kalams”. This is only going to create confusion for the coming generations as to what sufi music is all about. They will confuse sufi music with something which is not even folk. The coming generation will be confused as to what is sufi music, is it Abida’s Kaafi or is it Sartaj’s pop.

He has been accused of stealing, modifying and singing the poetry of other writes without giving proper credit to them. Plagiarization in any form should be criticized and credit should be given where it is due. Moreover being a lyricist himself he should value the writings of other poets.

So these are few of the things going against and in his favour.

I would like to see him shed this dress and change his image, making it clear that he is not a Sufi singer. He has to improve the quality of his lyrics, shed fake attire to gain appreciation from audiences who currently doubt his credentials as a good singer.

Posted on March 22, 2009 in Music by Sidhu14 Comments »

har saal ETC Punjabi duara karwaye jaan wale music awards, es wari PTC wallo karwaye gaye. har waar di taran ohi khaamian, kamian dekhan nu milian. sab ton changi gal jo es function wich hai k punjabi sangeet te filam jagat de sab wadde chote bande ik jagah te kathe hunde ne, fer kuch k nu sanmanit b kita janda (sahi sahi ja galat, eh ik alag swaal hai) . sirf ehna gallan karke hi eh program bahut keemat rakhda hai. gal karde a program de change maade baare. sab ton pehli gal shuraat koi bahuti changi ni c. pichli waar puraane gaanian ton lai k nave gaanian tak jaan da jihda sequence dikhaya gia bahut sohna fabbia c par es wari oh gal nazar hi nahi aai. kuch ese tarah da hi keeta janda te wadia lagna c. es wari fer galat anchor chose kite gaye. na tan shekhar suman changi taran punjabi bol sakda te na archana puran singh. masla sirf punjabi bolan tak da nahi hai, host nu punjabi music baare kuch pata b hona chahida tan ke oh program nu kuch hor sohappan de sake. gal life time achievement awards di tan Iddu Sharif, Sarabjit & Malkit nu sanmaanit karna wadia gal c. eddan de kalakaaran da sanmaan karna sada farz hai. wich wich jihdian faaltu diyan performances dikhaiyan gaiyan oh bilkul  hi bakwas c. Yaana Gupta, Bombay Vikings te hindi gaanian de ki matlab hai ? sirf ese wajah karke program enne late tak chalda rehnda (main 1 waje tak dekhia te hale chal riha c).

ik hor gal jihdi har waar dekhan nu mili hai oh hai kalkaaran da wiwhaar stage te. es wari b bahuti janta ne peeti hoi c ya koi nasha kita hoya c jive Aman Hayer ton chaz naal bolia b nahi ja riha c.  mere hisaab naal uthe sharab wagaira de sewan karan de aagia nahi honi chahidi te khulle pandaal di wajaye sada kursian laa ke program kita jana chahiad ta ke es cheez nu kuch hadd tak rokia ja sake. Jazzy B jado Miss Pooja to award lain gia te jis tone ch uhne Miss Pooja nu bolia oh edda sharam naak c “jihdi naal khadi a oh b ni maadi…..aj tan lagda..fullan aala soot sava e diye (mere hisaab naal ehi kiha c…je koi galti hove tan jaroor dasio”…eh poora poora bad-tameezi te faaltu de aakad dikhaun aala kam c te jazzy warge purane singer duara keeta jaana es nu hor b sharamnaak banaunda hai. wase baki kalakaar b apne wadh to wadh member lai k stage te a rahe c te faaltu de jaikare shaddan wali gal b haasoheeni hai. rahi gal categories di oh kuch zyada e banaiyan hundian ne te  jihna bandian nu milna chahida uhna nu hi milda ja nahi, ik wakhra swaal hai…so kull milla ke program truttian bharia c. bas ikko gal jo main pehla b kahi, eh punjabi hunar nu sanmaanit karan lai c te enne saare punjabi ik shat thalle ikathe hoye c…es lai bahut shalaagajog hai…par lod hai es da myaar bahut zyada hadd tak sudharan di…

Posted on February 18, 2009 in Music by Sidhu3 Comments »

Challa apne Punjab de folk music di ik nishani hai…bhawein oh Inayat Ali ne gaya hove ya Shaukat Ali ne te bhave Reshma ga rahi hove ya Gurdas Maan…challe di tone jhatt pachani jandi hai…bada time pehlan Gurdas Maan de yahoo group te sade ik member ne challe di translation cum explanation post kiti c. oh hu bu hu main ethe post kar riha. eh ik post di taran b nahi likhia hoya bas rough jehi explanation hai:

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This song is basically addressing to the Challa or a ring given by her beloved… Kyoki ashqi vich challe te mundri di boht value hai…  As guy give Challa to his gal and get mundri from her in return, to convey their love for each other.
Hun oss kudi da mahi door baitha hai.. O ikalli kiss nal gallan kare.. Es karke mahi de ditte hoye challe naal hee o gallan kardi hai te aapne dukh dasdi hai.

1) ho jaavo ni koi mor liyavo,
ni mere naal gaya ajj lad ke,
oh allah kare jeh aa jaave sohna,
devan jaan kadma vich dhar ke.

I think this para is very clear to all, nothing to explain in it.

2) ho challa beri oye buhe, ve vatan mahi da door e,
ve jaana pehle poor e, ve gall sun challeya chora,
ve kahda laya ee jhora.

Jo beri saade buhe(darwaze/wehre vich) te lagi hai uss utte boor pya hai- (boor da matlab hai ki beri nu phull lagg gaye ne te kuch hee din baad iss utte phall (fruit) va lagg jayega.), par maahi da vatan ta door hai. Te hun jaddo ess beri te season da pehla phall laggega odo mein ohnu millan jaana. While addressing to the ring the girl is refering to her beloved, says ve dil deya chora (theif) meri jaan nu kyo jhora (dukh) laya hai?

3) ho challa khooh te dhariye, challa khooh te dhariye
ve gallan mooh te kariye,
ve sacche rabb ton dariye, ve gall sun challeya dhola,
ve rabb ton kahda ee ohla.

As this is a song, so to give it a rhythem the line ‘challa khooh te dhariye’ is used. Ehda matlab te sabb nu saaf hee hai ki put the ring at well. Par es da ikk hor matlab v ho sakda hai, jiven pehle jamaane vich kudian sirf pind de khooh takk hee jaandia sann, te khooh te jaana hee sirf ohna di outing ho jaandi c. Es karke kudi keh rahi hai ki maahi kade khooh te hee aa ke paani peen de bahaane mill lai. Te jo v gall tu karni yaa kehni hai mill ke kar. Ene dukh meinu naa de oss sachhe rabb to dar, os rabb to kade v kisse da v ohla (parda) nahi reha, matlab ki rabb sabb dekhda hai.

4) ho challa kaaliyan mirchan, ve mauhra pee ke marsaan,
ve sire tere chadsan, ve gall sun challeya dhola,
ve saad ke keeta ee kola.

Mauhra ikk boota (herb) hai, jiss nu ki dhatura v kehnde ne, te es da english name ‘Thornapple’ hai. Eh boht hee zehreela hunda hai, es boote to vee zehar banda hai. Hun kudi keh rahi hai ki v mahi tu meinu boht dukh ditte ne- saad ke keeta ee kola (yours deed have burnt me like a coal). Mein tere dukhan to tangg aa ke, tere naam da zehar pee ke marr jaana hai.

5) ho challa nau nau theve, ve puttar mithde meve,
ve allah sabh nu deve, ve gall sun challeya kanvaan,
ve manvaan thandiyan chaanvan.

Theva is a technique of gracing the ornaments. Hun ethe nau theve kyo keha gya meinu pakka nahi pata, par mere khyaal naal es da matlab hai ki saare Challe utte meenakari hoi hai. Jidda poora shigaarya hoya challa boht sohna lagda hai, eiven hee mavan nu aapne puttar boht pyaare lagde hann. Te mein oss rabb agge ardas kardi haan ki sabb nu rabb puttar deve.

6) ho challa kann diyan dandian, ve saare pind vich bhandian,
ve gallan chajj paa chandian, ve gall sun challeya dhola,
ve saad ke keeta ee kola.

Kann diyan danddian sone da chota jeha gehna hunda hai jo ki koke waang bareek jeha hunda hai , jyada karke kuwaria kudian hee dandian paundia ne, vyahi kudi wadde kaatien(ear ring) paundia ne. Ess pehre vich mutiyaar kehndi hai ki jaddon mein mahi diya dittia hoia danddian paia, taa saare pind vich mera naam khraab keeta gya (bhandian da matlab hai naame khraab karna). Te loka ne saadi gall saare paase udda ditti. (‘Chajj’ is made up of wooden straws and is use to take out the unwanted things from wheat or other cereals. Its english name is ‘winnow’)

7) ho challa gal di ve gani, ve tur gaye dilan de jani
ve meri dukhan di kahani, ve aa ke sunja dhola
ve tethon khada ee ohla

Dil de jaani door chale gaye ne, te mere palle hun dukh hee dukh ne. Ve mahi mere aa ke dukh sun lai, tere kolo kisse v cheez da parda (ohla) nahi hai.

8 ) ho challa paya ee gehne, oye sajan beli na rehne
oye dukh zindri de sehne, ve gal sun challeya dhola
ve kahda pana ee raula

Gehne pa dena matlab hai girvi rakhna (collateral). Is duniya vich sanjan-mitar sada nahi rehne, te zindgi vich dukh takleef aundi hee rehndi hai. Matlab je es duniya vich har ikk neikk naa ikk din khatam ho jaana hai fer faltu de jhagre-ladai kiss gall de?

Posted on November 1, 2008 in Language, Music by SidhuNo Comments »

kaafi sama ho gia mainu ethe post kite hoye.aj orkut surf kardian kardian ik video milia jihne mainu ethe post karan lai utshahit kita. eh video hai harbhajan mann & gursewak mann kathe ga rahe. karnail singh paras horan di kavishri. mere hisaab naal koi 17-218 saal de aas paas pehlan da hona eh. rare of rarest cheez. dhanwaad us bai ji da jihna ne upload kita. har punjabi nu eh video jaroor dekhna chahida. karnail singh paras hori punjabi kavishri de thamm. te eh video ik adbhut yaad hai uhna samian di. i would love to see both of them like this again. i wish they do an album together in this style, dhad sarangi lai ke !

Posted on September 21, 2008 in Music by Sidhu5 Comments »

kuch cheezan parde saar e dimag kharab kar dindian ne. aj main spokesman ch ik article pad riha c. article ch lekhak chamkile nu changa sidd karan te sara zor la dinda hai. nale eh pehli wari nahi ho riha k chamkile nu changa karan di koshish kiti gai hove. meri eh behas pehla b kai wari ho chukki hai. article ch lekhak da sara zor eh sidh karan te lag gia k chamkila bahut hi mahaan banda c. hor b pata ni ki ki. te sahara kis cheez da lia k aj kal b betuke video ban rahe a. par ehda sahara lai k uhne chamkile di izzat nu aanch ni aaun diti. sidh karta k oh mahaan c te bahut galat hoya k maria gia. 

mainu eh samjh ni aaundi eh kiho ji soch hai. aj kal jo betuke video ban rahe ne oh galat ne. har samjhdaar banda ehnu galat kehnda hai. beda garak karta es cheez ne change sangeet da. par chamkila kinna k changa c ? te kinna k changa ga ke gia ? eh b sab nu pata hai. kuch lok aj de halaat da sahara hai k uhnu changa sidh karan te kyon lagge rehnde. eh kitho di syanap hai. es article nu pad ke kise nave bande nu tan lagguga k chamkila ik dharmik banda c. haddan tapp gia lekhak. pehli wari main enni sift suni chamkile di. khair eh article da title b uhne chamkila nai ditta balke piracy karan walian da biakaat karan di lod dita hai. sari ram kahani chamkile di likh ke akheer te 4 linean ch gal karti piracy di. niri poori moorakhata. te chapan lage spokesman ch b kise ne ni padia k likhia ki a wich. bas jo aya chaapi jao.

chamkila galat c, galat hai te galat rahuga…

Posted on June 14, 2008 in Music by Sidhu3 Comments »

kuch aise lok b milde ne jihde kehan nu tan punjabi ne par punjabi music baare na te uhna nu kuch pata, na kade sunia te shayad ese wajah karke na hi koi shauk hai…oh bas kacha pilla hindi te angreji sun ke khush ne…samjh b pata nahi aaunda hai k bas avein sir maari jande ne…

20 k saal pehlan musarrat nazir ne (je kise nu nahi pata te oh ik pakistani punjabi singer hai….) gana gaya c “mera long gwacha”…bally sagoo wala tan sab ne dekhia/sunia hona par ehda nai pata….kal mainu es gaane da video milia youtube te….jihde loki kehnde ne punjabi music te avein hi hai…zara ah video dekho te fer bolio kuch….asi apna virsa e rol ta…bahar de hava lai k khush ho gaye….har ik nu meri guzarish hai k eh video jaroor dekhio and fer apni feedback deo…jad tak sade kol eddan de singer ne…punjabi music hamesha rahega…bas lod hai pukaar sunan di te gwacha hoya long labhan di…